\n\n***Education*** \n- *Bachelor of Arts Hochschule Luzern/FHZ in Art and Design Education with Specialisation in Fine Arts, HSLU Luzern*\n- 2015 Maturität, Kantonsschule Uster \n\n\u003Cbr/>\n\n***Work***\n- since 2022: studio at Atelier Haus Emma\n- since 2024: Co-Curator at Sic! Elephanthouse \n- since 2015: Teacher, Textile Art & Fine Art \n- 2021–2024: Artistic Assistant at HSLU Design & Kunst, Luzern \n\n\u003Cbr/>\n\n___________\n \n\u003Cbr/>\n\n**SOLO SHOW**\n2021 A bit of pain, Orbit:Satellit, Zürich, CH\n\n**RESIDENCIES**\n2022-2023 Maestà Art Residency, Vitulazio, IT\n\n**SELECTED GROUP SHOWS**\n2024 Beyond the Font, Kunsthalle Luzern, Luzern, CH \n2024 NO HOSPITALITY WITHOUT ACCESSIBILITY at EHL, in collaboration with BØWIE Gallery, Lausanne, CH\n2023-2024 Devenir Feuillage, LRRH, Düsseldorf, DE\n2023 67:33, Redaktion 957, Luzern CH \n2023 STRANGELAND, Garage, Emmenbrücke, CH + Kunsthoch 2023\n2023 Artist Prize, BBA Gallery at Kühlhaus, Berlin, DE\n2023 HEMMA, Detroit Stockholm, Stockholm, SE\n2023 Infinite Softness, Danuser & Ramírez, London, UK\n2022-2023 Zentral!, Kunstmuseum Luzern, CH\n2022 Figures of Speech, PTTH:// Kunstpavillon, Luzern, CH\n2021 An Ort und Stelle, make art happening, Luzern, CH\n2021 The latest Place, Open Space Domshof, Bremen, DE\n2021 K_rien/rein_S, Galerie Kriens, Luzern, CH\n2020 /intrest/, Morningstar 3.0, connected by Visarte Zentralschweiz at B74, Luzern, CH\n2020 No Lunch 4 Free, Lindenhof, Zürich, CH\n2019 Babel & Bubbles, Shedhalle Zürich, Zürich CH\n2019 Perec Polyphony by Philip Matesic, Strauhof, Zürich, CH","**Artist Statement** \n\nAnouk Koch's artistic practice revolves around the themes of social pressure, abuse of power, and various dynamics in interpersonal and love relationships. By combining text fragments with a carrier, she explores the boundaries between pain and fun. Anouk Koch seeks a tension between form and content through her choice of text fragments on their carriers. The imprinted objects are often perceived as everyday objects or cheap goods, such as balloons, bricks, hairdresser's coats, hand warmers, etc. However, Koch removes the objects from their daily usage and recontextualizes them, conferring them a hidden poetry and stimulating the collective consciousness of the viewers.\n\n**born in Zurich, lives and works in Lucerne, CH**\n\n**BA in Fine Arts, HSLU Design & Kunst, Luzern, Graduation 2021** \n\n\n*Atelier at Haus Emma, Emmenbrücke, CH*\n\n*since 2022: Co-Host of Garage with Beda Planzer & Marvin Prinz, Emmenbrücke, CH* \n\n\n*since 2021: artistic assistant at HSLU Design & Kunst, Emmenbrücke CH* \n\n\n**UPCOMING 2023**\n\n* 2023 Detroit Stockholm, Stockholm, SE\n* 2023 BBA Gallery at Kühlhaus, Berlin, DE \n\n\n\n**RESIDENCIES**\n\n* 2022-2023 Maestà Art Residency, Vitulazio, IT\n\n**SOLO SHOW**\n \n* 2021 A bit of pain, Orbit:Satellit, Zürich, CH\n\n**SELECTED GROUP SHOWS**\n\n* 2023 Danuser & Ramírez, London, UK \n* 2022-2023 Zentral!, Kunstmuseum Luzern, CH\n* 2022 Figures of Speech, PTTH:// Kunstpavillon, Luzern, CH\n* 2021 An Ort und Stelle, make art happening, Luzern, CH\n* 2021 The latest Place, Open Space Domshof, Bremen, DE\n* 2021 K_rien/rein_S, Galerie Kriens, Luzern, CH\n* 2020 /intrest/, Morningstar 3.0, connected by Visarte Zentralschweiz at B74, Luzern, CH\n* 2020 No Lunch 4 Free, Lindenhof, Zürich, CH\n* 2019 Babel & Bubbles, Shedhalle Zürich, Zürich CH\n* 2019 Perec Polyphony by Philip Matesic, Strauhof, Zürich, CH\n\n[Instagram](https://www.instagram.com/anouk.koch/?hl=de)","Koch","Anouk","kleio:record_44b1b26a-1ce5-46c9-999d-3d526ec7e92b",{"@id":229,"@score":198,"@type":210,"kleio:category_tags":231,"kleio:cover_asset":235,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":236,"kleio:user_record_id":238,"kleioapi:in_set":239,"kleioapi:in_space":240,"kleioapi:is_actor":6,"kleioapi:main_date__date":241,"kleioapi:main_date__date__lower":242,"kleioapi:main_date__date__upper":243,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":244,"rdfs:label__en":244,"schema:description":245,"schema:description__en":245,"schema:title":244,"schema:title__en":244,"threems:relatesTo":210,"threems:searchVia_index":64},[232,233,234],"kleio:tag_category_installation","kleio:tag_category_video","kleio:tag_category_photography","kleio:asset_b9de7ad8-6b34-4a47-8e52-ba144496bd16",[237],"kleio:tag_type_work",85,[37],[25],"2024","2024-01-01","2024-12-31","UNTIL THERE IS NOTHING LEFT BUT PROMISES","***UNTIL THERE IS NOTHING LEFT BUT PROMISES*** explores the fragile nature of the ideals and expectations placed on (romantic) relationships. The installation reveals how love and connection are both romanticized and commodified, exposing the tension between the longing for stability and the superficiality that often accompanies the concept of love.\n\nAt the heart of the work is a teddy bear holding a “LOVE” pillow, wrapped in plastic and tagged with a €40 price, symbolizing the commercialization of intimacy. Nearby, snow globes containing fragments of text evoke unreachable ideals and countless desires placed on relationships. The shop-like arrangement emphasizes the overwhelming demands of love, revealing how these promises become interchangeable and empty.\n\nOn three screens, shifting text fragments quietly dismantle the illusion of permanence, offering a glimpse of the reality beneath. The work invites reflection on the fragility of promises and the delicate space between idealized love and the world that consumes it.\n\n***Exhibited in the group show BEYOND THE FONT at the Kunsthalle Luzern, June-August 2024***","kleio:record_a235fad7-8a4c-49be-a740-465a455dc42f",{"@id":246,"@score":198,"@type":210,"kleio:category_tags":248,"kleio:cover_asset":253,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":254,"kleio:user_record_id":255,"kleioapi:in_set":256,"kleioapi:in_space":257,"kleioapi:is_actor":6,"kleioapi:main_date__date":241,"kleioapi:main_date__date__lower":242,"kleioapi:main_date__date__upper":243,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":258,"rdfs:label__en":258,"schema:description":259,"schema:description__en":259,"schema:title":258,"schema:title__en":258,"threems:relatesTo":210,"threems:searchVia_index":198},[249,250,251,252,232],"kleio:tag_category_institution","kleio:tag_category_text","kleio:tag_category_print","kleio:tag_category_concept","kleio:asset_e1316af5-9376-4b8f-b520-6f44c17bcf6b",[237],84,[37],[25],"NO HOSPITALITY WITHOUT ACCESSIBILITY ","The viewers are invited to walk around the cordoned-off space. The crowd control system forms a barrier around the enclosed area, provides information and at the same time requests people to keep their distance. The work deals with accessibility and access authorisation. It approaches the themes of privileged treatment, shielding, exclusion, authority, closeness and distance with a wink.\n\n\n[link to the article\n \"Anouk Koch's No hospitality without accessibility at EHL Lausanne\" - published in Bøwie Magazine](https://https://www.bowiecreators.com/project/anouk-koch-no-hospitality-without-accessibility-at-ehl-lausanne)","kleio:record_a5c3a3c4-6539-4e6c-9bff-a5be87bb4b8f",{"@id":260,"@score":198,"@type":210,"kleio:cover_asset":262,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":263,"kleio:user_record_id":264,"kleioapi:in_set":265,"kleioapi:in_space":266,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":267,"rdfs:label__en":267,"schema:description":268,"schema:description__en":268,"schema:title":269,"schema:title__en":269,"threems:relatesTo":210,"threems:searchVia_index":187},"kleio:asset_ad5415b6-da5d-4c6b-92c8-c3a01cee9124",[237],83,[37],[25],"SELL THE KIDS FOR FOOD","In conjunction with Marion Baruch`s solo exhibition Everything Begins with Nature and Ends at the Supermarket, the LRRH Aerial invited six emerging artists to develop works in reference to Marion Baruchs work.\n \nSELL THE KIDS FOR FOOD - about treating ignorance as an excuse and the threatening reminder that we are feeding this exact system in which we play along and numb ourselves.\n\nThe work responds to Marion Baruch‘s exhibition title „Everything Begins with Nature and Ends at the Supermarket“ as well as some of Baruch‘s older works. It consists of a table for six people covered with a tablecloth carrying the message WE ARE ALL BORN IGNORANT. The design of the wallpaper is inspired by Baruch‘s cage-like sketch L‘arte esiste nel sistema dell‘ arte. The mantra-like text layer of the wallpaper reads BUT YOU ARE FEEDING IT and reflects a critical perspective on systemic power dynamics.","SELL THE KIDS FOR FOOD ","kleio:record_949bec02-764a-44a5-9c9d-f34977b97cb5",{"@id":270,"@score":198,"@type":210,"kleio:category_tags":272,"kleio:cover_asset":273,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":274,"kleio:user_record_id":275,"kleioapi:in_set":276,"kleioapi:in_space":277,"kleioapi:is_actor":6,"kleioapi:main_date__date":278,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":280,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":281,"rdfs:label__en":281,"schema:description":282,"schema:description__en":282,"schema:title":281,"schema:title__en":281,"threems:relatesTo":210,"threems:searchVia_index":197},[251,250,252],"kleio:asset_740f0ba1-d154-40b8-921e-904b8d19321c",[237],82,[37],[25],"2023","2023-01-01","2023-12-31","CREDO","The imprinted flags relate to the Rosetta Stone language-learning app, which promises intuitive language learning, as well as to the historic Rosetta Stone of 196 B.C. The latter displayed text in three scripts, where understanding two scripts enabled deciphering the third.\n\nThe first flag bears the words: MY MOTHER TONGUE IS ASAP - an inner credo and instrument that expresses the expectation of immediate response and rapid completion. \n\nThe second flag proclaims: MY SECOND LANGUAGE IS BRB - be right back, an allusion to juggling between identities, roles, and ways of communicating. \n\nOn the third flag, the message turns to the Rosetta Stone to teach a new language, a new tool: NOT GONNA LIE, AT THE MOMENT I DON'T KNOW, PLEASE DO IT YOURSELF.\n\n In analogy to the historical Rosetta Stone, the work reflects two already internalized responses of the artist. The decoding of the third component remains open.\n\nExhibited at the group exhibition STRANGELAND at Garage\n\n\n","kleio:record_cba59a4e-3b1a-4951-8f9b-54f98da88301",{"@id":283,"@score":198,"@type":210,"kleio:category_tags":285,"kleio:cover_asset":286,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":287,"kleio:user_record_id":288,"kleioapi:in_set":289,"kleioapi:in_space":290,"kleioapi:is_actor":6,"kleioapi:main_date__date":278,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":280,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":292,"rdfs:label__en":292,"schema:description":293,"schema:description__en":293,"schema:keywords":294,"schema:title":292,"schema:title__en":292,"threems:relatesTo":210,"threems:searchVia_index":181},[250,252,232],"kleio:asset_5be5dd28-bbf3-40c3-94ab-13bb56591c25",[237],77,[37],[291,25],"kleio:space_3ef7cb835","ME MOM AND DADDY","**Me Mom and Daddy delves into the theme of overprotective parenting, where intense care creates a closed, untouchable family system. The child is deprived of the air to breathe and the opportunity to develop independently..**\n\nPart of the groupshow HEMMA at Detroit Stockholm, SE\n20.04.–28.04.2023 \nwith Hinni Huttunen, Eliska Kovacikova, Malin Neuman & Mario Scialdone\n\nHEMMA is a collective exhibition featuring five international artists that reflect on the concept of control, comfort, spatiality and location. This exhibition aims to raise diverse viewpoints and experimental art-making practices, as well as inviting a cultural dialogue outside our usual points of reference. The title of the exhibition is formed from the initials of every exhibiting artist's first name: Hinni, Eliska, Malin, Mario and Anouk. The title is also a word in Swedish that translates to home as well as at home.\n\n[Link to Website of Detroit Stockholm](https://detroitstockholm.info)\n\n\n\n\n\n",[295,296,297,298,299],"kleio:tag_content_9959","kleio:tag_content_8810","kleio:tag_content_political","kleio:tag_content_memory","kleio:tag_content_9509","kleio:record_e1985f42-f026-4771-8dc1-33f9f2ff0703",{"@id":300,"@score":198,"@type":210,"kleio:category_tags":302,"kleio:cover_asset":303,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":304,"kleio:user_record_id":305,"kleioapi:in_set":306,"kleioapi:in_space":307,"kleioapi:is_actor":6,"kleioapi:main_date__date":278,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":280,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":308,"rdfs:label__en":308,"schema:description":309,"schema:description__en":309,"schema:title":310,"schema:title__en":310,"threems:relatesTo":210,"threems:searchVia_index":311},[234,251],"kleio:asset_53b05d94-ccae-43b0-b459-813dbf31a40a",[237],78,[37],[291,25],"You couldn't care less and I couldn't care more","**About caring for each other as a task to be done without any emotional involvement.\nThe photograph was taken at the Maestà Art Residency in southern Italy and shows a readymade that the artist found upon her arrival.**\n\nPart of the groupshow HEMMA at Detroit Stockholm, SE\n20.04.–28.04.2023\nwith Hinni Huttunen, Eliska Kovacikova, Malin Neuman & Mario Scialdone\n\nHEMMA is a collective exhibition featuring five international artists that reflect on the concept of control, comfort, spatiality and location. This exhibition aims to raise diverse viewpoints and experimental art-making practices, as well as inviting a cultural dialogue outside our usual points of reference. The title of the exhibition is formed from the initials of every exhibiting artist's first name: Hinni, Eliska, Malin, Mario and Anouk. The title is also a word in Swedish that translates to home as well as at home.\n\n[Link to Website of Detroit Stockholm](https://detroitstockholm.info)","You couldn't care less and I couldn't care more ",5,"kleio:record_290708",{"@id":312,"@score":198,"@type":210,"kleio:category_tags":314,"kleio:cover_asset":315,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":316,"kleio:user_record_id":317,"kleioapi:in_set":318,"kleioapi:in_space":319,"kleioapi:is_actor":6,"kleioapi:main_date__date":320,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":321,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":322,"rdfs:label__de":322,"schema:description":323,"schema:description__de":324,"schema:description__en":323,"schema:keywords":325,"schema:title":322,"schema:title__de":322,"threems:relatesTo":210,"threems:searchVia_index":327},[232],"kleio:asset_44eaac44-f11f-4cd8-ab6f-8fd33a97034e",[237],73,[37],[25,291],"2023-01","2023-01-31","I PRAY FOR LOVE EVERYDAY","As part of the Maestà Art Residency, Anouk Koch was given a bedroom in an abandoned house in Vitulazio, in southern Italy. This work was conceived by Koch's observation of the importance of religion in the everyday life of the people living there. The phrase \"I pray for love everyday\" is plastered on the walls. The bed stands in the middle of the room, next to it a nightstand adorned with white artificial flowers. Only one person sleeps in this room. On the bed lies a red pillow, with a sewn-in screen on which a video recording can be seen. Thumb-twiddling hands refer to an eternal waiting. The room smells of Javel water. The ticking of a clock can be heard.\n\nThe work exists as an installation as well as a print on Aludibond (150 x 100 cm) \n","As part of the Maestà Art Residency, the artist was given a bedroom in an abandoned house in Vitulazio, in southern Italy. This work was conceived by Koch's observation of the importance of religion in the everyday life of the people living there. The phrase \"I pray for love everyday\" is plastered on the walls. The bed stands in the middle of the room, next to it a nightstand adorned with white artificial flowers. The reference to the fact that only one person sleeps in this room. On the bed lies a red pillow, with a sewn-in screen on which a video recording can be seen. Thumb-twiddling hands refer to an eternal waiting. The room smells of Javel water. The ticking of a clock can be heard.\n\nThe work is combined with [\"prego ogni giorno per l` amore ](https://anouk-koch.kleio.com/record/work/74)",[295,326],"kleio:tag_content_8373",6,"kleio:record_296359",{"@id":328,"@score":198,"@type":210,"kleio:category_tags":330,"kleio:cover_asset":331,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":332,"kleio:user_record_id":333,"kleioapi:in_set":334,"kleioapi:in_space":335,"kleioapi:is_actor":6,"kleioapi:main_date__date":336,"kleioapi:main_date__date__lower":337,"kleioapi:main_date__date__upper":338,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":339,"rdfs:label__de":339,"schema:description":340,"schema:description__de":341,"schema:description__en":340,"schema:keywords":342,"schema:title":339,"schema:title__de":339,"threems:relatesTo":210,"threems:searchVia_index":352},[232],"kleio:asset_eee02131-e654-4307-9bd1-d382b8b24f5b",[237],75,[37],[291,25],"2022","2022-01-01","2022-12-31","HOW I WISH, Edition","About the potential of love and fusion and the coldness that remains - One heart shows itself with the inscription „HOW I WISH“. The inside of the thermogel heart is still liquid and soft. By simply bending the metal plate, the heart could be put into the hot and giving state. The second heart shows „YOU WERE HERE“ It has solidified, its interior has become rigid and cold. \n","About the potential of love and fusion and coldness that remained – One heart shows up with the inscription \"HOW I WISH\". The inside of the gel heart is still fluid and soft. By bending the metal plate, the heart could be changed into the hot and giving state. The second heart shows \"YOU WERE HERE\" The heart is solidified, the substance is hard and cold. \n\nedition of 40 \n\nshown at \"infinite softness\" at gallery Danseur & Ramírez in London, UK (13.-29.01.2023)\n\n[[Link to Website](https://danuseramirez.com/infinite-softness)]",[343,344,345,346,326,347,348,349,296,350,298,299,351,295],"kleio:tag_content_59","kleio:tag_content_process","kleio:tag_content_time","kleio:tag_content_45","kleio:tag_content_9676","kleio:tag_content_ephemeral","kleio:tag_content_60","kleio:tag_content_feminist","kleio:tag_content_57",7,"kleio:record_290710",{"@id":353,"@score":198,"@type":210,"kleio:category_tags":355,"kleio:cover_asset":356,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":357,"kleio:user_record_id":358,"kleioapi:in_set":359,"kleioapi:in_space":360,"kleioapi:is_actor":6,"kleioapi:main_date__date":320,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":321,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":361,"rdfs:label__de":361,"schema:description":362,"schema:description__de":363,"schema:description__en":362,"schema:title":361,"schema:title__de":361,"threems:relatesTo":210,"threems:searchVia_index":364},[252],"kleio:asset_5643045a-c2ad-4023-b09b-2141b1b014e4",[237],74,[37],[291,25],"PREGO OGNI GIORNO PER L`AMORE","This work was done in the context of the Maestà Art Residency in Vitulazio, Italy. On many houses and their fences hang fabric banners with imprints of Catholic saints and their vertically printed names. Who do they call out to? And what intercessions should be heard? \"Prego ogni giorno per l`amore\" takes up the aesthetic references, replaces the saint's name and leaves out the holy icon in the center of the banner.\"Prego ogni giorno per l'amore\" has been screen printed on white cotton. Afterwards, these were sewn into banners and attached with red fabric tape to be placed and fixed. ","This work was done in the context of the Maestà Art Residency in Vitulazio, Italy. \"Prego ogni giorno per l'amore\" has been screen printed on white cotton. Afterwards, these were sewn into banners and attached with red fabric tape to be placed and fixed. On many houses and their fences hang fabric banners with imprints of Catholic saints and their vertically printed names. Who do they call out to? And what intercessions should be heard? \"Prego ogni giorno per l`amore\" takes up the aesthetic references, replaces the saint's name and leaves out the holy icon in the center of the banner. \nThe work is combined with [\"I pray for love everyday](https://anouk-koch.kleio.com/record/work/73)\".",8,"kleio:record_274662",{"@id":365,"@score":198,"@type":210,"kleio:category_tags":367,"kleio:cover_asset":368,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":369,"kleio:user_record_id":370,"kleioapi:in_set":371,"kleioapi:in_space":372,"kleioapi:is_actor":6,"kleioapi:main_date__date":336,"kleioapi:main_date__date__lower":337,"kleioapi:main_date__date__upper":338,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":373,"rdfs:label__de":373,"schema:description":374,"schema:description__de":374,"schema:keywords":375,"schema:title":373,"schema:title__de":373,"threems:relatesTo":210,"threems:searchVia_index":377},[232],"kleio:asset_fbe1ddec-aed3-4fb4-9a01-641c31e024d9",[237],72,[37],[291,25],"COCO CHANEL","Coco Chanel once said, „A woman who cuts her hair is about to change her life.“ Much like the agreement we make with our hairdresser, we start with a mutual agreement. But then we realize that the hairdresser‘s subjectivity takes over and we end up making their decisions. The text fragments are about the toxic dynamics in a relationship: addiction, abuse and control. They show the dynamics of hurtful power when someone is in a codependent relationship.",[295,296,350,326,297,343,376,349],"kleio:tag_content_10341",9,"kleio:record_269297",{"@id":378,"@score":198,"@type":210,"kleio:category_tags":380,"kleio:cover_asset":381,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":382,"kleio:user_record_id":383,"kleioapi:in_set":384,"kleioapi:in_space":385,"kleioapi:is_actor":6,"kleioapi:main_date__date":386,"kleioapi:main_date__date__lower":387,"kleioapi:main_date__date__upper":388,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":389,"rdfs:label__de":389,"schema:description":390,"schema:description__de":390,"schema:keywords":391,"schema:title":389,"schema:title__de":389,"threems:relatesTo":210,"threems:searchVia_index":393},[252],"kleio:asset_cd12fe63-1e38-4ebf-99e7-53acec5334e4",[237],71,[37],[25,291],"2022-04","2022-04-01","2022-04-30","HOW I WISH","About the potential of love and fusion and coldness that remained – 81 printed hearts on plexiglass plate. 80 hearts showing the phrase \"HOW I WISH\". The inside of the gel heart is fluid and soft. Waiting 80 times, seeing the potential before the metal plate is bent and the heart becomes warm. what remains is the last heart - \"YOU WERE HERE\" - the heart is solidified, the mass hard and cold. \n\nshown at \"figures of speech\" at PTTH:// in Luzern, CH(10.06.-09.07.2022)\n\n[[Link to Website](https://ptth.pt)]",[348,296,299,295,346,392],"kleio:tag_content_8968",10,"kleio:record_269296",{"@id":394,"@score":198,"@type":210,"kleio:category_tags":396,"kleio:cover_asset":397,"kleio:default":6,"kleio:record_owner":59,"kleio:status_tags":398,"kleio:type_tags":400,"kleio:user_record_id":401,"kleioapi:in_set":402,"kleioapi:in_space":403,"kleioapi:is_actor":6,"kleioapi:main_date__date":404,"kleioapi:main_date__date__lower":405,"kleioapi:main_date__date__upper":406,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":407,"rdfs:label__de":407,"schema:description":408,"schema:description__de":409,"schema:description__en":408,"schema:keywords":410,"schema:title":407,"schema:title__de":407,"threems:relatesTo":210,"threems:searchVia_index":411},[252],"kleio:asset_8785d174-2baa-46fa-b8c9-ecc427e929e6",[399],"kleio:tag_269296_status",[237],70,[37],[25,291],"2022-05","2022-05-01","2022-05-31","FUTURE SCARS","A dichotomy between form and meaning; While we seek to protect our children by wearing a cap, they are exposed to experiences beyond our control: emotional damage, climate crisis, educational failures, structural injustices, wars, poverty, identity denial and more. Each generation will bear the scars of existence unconditionally.","FUTURE SCARS \n\n2 embroidered kindercaps on low-hanging sideboard \n\nFuture Scars is a dichotomy between form and meaning: \nWhile we want to protect our children by wearing a cap, they are exposed to experiences beyond our control: emotional damages, climate change, educational failures, structural injustices, wars, poverty, and identity denials. Each generation will bear the scars of existence unconditionally. \n\n*shown in the following exhibitions:* \n\nFigures of Speech at the Kunstpavillon Luzern, curated by PTTH:// \n\nZentrale! at the Museum of Art Lucerne, curated by Alexandra Blättler",[299,295,297,343],11,"kleio:record_269291",{"@id":412,"@score":198,"@type":210,"dc:creator":414,"kleio:category_tags":419,"kleio:cover_asset":420,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":421,"kleio:user_record_id":422,"kleioapi:creator__labels":423,"kleioapi:creator__labels__de":428,"kleioapi:in_set":429,"kleioapi:in_space":430,"kleioapi:is_actor":6,"kleioapi:main_date__date":431,"kleioapi:main_date__date__lower":432,"kleioapi:main_date__date__upper":433,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":434,"rdfs:label__de":434,"schema:description":435,"schema:description__de":436,"schema:description__en":435,"schema:keywords":437,"schema:title":434,"schema:title__de":434,"threems:relatesTo":210,"threems:searchVia_index":438},[415,416,417,418],"kleio:record_269292","kleio:record_269294","kleio:record_269295","kleio:record_269293",[232],"kleio:asset_6dfe772b-341a-4405-a3f2-df8e95bbb06b",[237],65,[424,425,426,427],"Offspaceorbit","Offspacesatellit","Orbit","Satellit",[427,426,425,424],[37],[291,25],"2021-10","2021-10-01","2021-10-31","A BIT OF PAIN","Pain and fun are intertwined and intermingle within the boundaries of our existence. They coexist, permeating every inch of the space we inhabit, vying for and threatening to burst at any moment. But over time, the once promising balloons gradually lose their fullness and strength. The fusion of pain and pleasure fades simultaneously until only emptiness remains.\n\nThe former store window is filled with a multitude of printed balloons, each divided 50:50 between \"A BIT OF PAIN\" and \"A BIT OF FUN\". During the month-long exhibition, these balloons undergo a transformation as they gradually shrink and dissolve in front of the viewer's eyes.\n\nprint on window: \nfun, fun, fun - it might be fun - just for a wile - wait, wy does everything always happen at the same time? our minds are against us - we are looking out for someone to save or to be saved by - and what remains in the end? - we stay to maintain - too fast too soon - too slow too late - we move around all day - but can't move on - half dead from exhaustion - can't sleep - so much - too much- not enough - no hope - just go now - please - just leave - wait a minute - it begins to shrink - the pain wears off - just like the fun does","fun, fun, fun - it might be fun - just for a wile - wait, wy does everything always happen at the same time? our minds are against us - we are looking out for someone to save or to be saved by - and what remains in the end? - we stay to maintain - too fast too soon - too slow too late - we move around all day - but can't move on - half dead from exhaustion - can't sleep - so much - too much- not enough - no hope - just go now - please - just leave - wait a minute - it begins to shrink - the pain wears off - just like the fun does \n\nDas ehemalige Schaufenster ist dicht gefüllt mit Ballonen. A BIT OF PAIN / A BIT OF FUN // 50:50 \n\nWährend der Ausstellungsdauer von einem Monat beginnen die Ballone zu schrumpfen, fallen in sich zusammen.",[346,299,295,296,343,348,344],12,"kleio:record_245599",{"@id":439,"@score":198,"@type":210,"kleio:category_tags":441,"kleio:cover_asset":443,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":444,"kleio:user_record_id":445,"kleioapi:in_set":446,"kleioapi:in_space":447,"kleioapi:is_actor":6,"kleioapi:main_date__date":448,"kleioapi:main_date__date__lower":449,"kleioapi:main_date__date__upper":450,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":451,"rdfs:label__de":451,"schema:description":452,"schema:description__de":452,"schema:keywords":453,"schema:title":451,"schema:title__de":451,"threems:relatesTo":210,"threems:searchVia_index":456},[442],"kleio:tag_category_25","kleio:asset_76f4f4b2-cac3-4827-8226-f8a0627e801a",[237],62,[37],[25],"2021","2021-01-01","2021-12-31","TAKE YOURSELF ON DATES","**How can a work attract the attention of a city? The work shows upas a campaign in public and digital space. The work uses political,parasitic and influencer strategies to spread the slogan and the relatedtrack TAKE YOURSELF ON DATES.**\n\nCredits: \nProduction of the track: Slow Mo \n\nCo-Production of the track: Prod BY TV\n\nVoice Performance: Nova Phiri \n\nGraphic Design Support: Yasmin Knüsel & Dario Schorer\n\nAnimations & Video: Matthias Schüpbach \n\nProject mentors: Christof Steinmann & San Keller \n\nSocial Media Assistance: Perla Schöpfer \n\nStrategic Consulation in Campaigning Aspects: Lukas Probst \n\nDistribution in public space: Andrea Fortmann, Andrea Ricklin, Bertilla Spinas, Jeanine Burkard, Lucia Messer, Marvin Prinz, Yasmin Knüsel, Rafale Haubensak, Raphael Holzer, Rosa-Lynn Rihs, Stéphanie Kiser, Wout Claassen \n\nthanks to all the stores, bars, restaurants and cultural institutions for the opportunity to place and distribute merchandise. \n\nDigital Distribution: thank you all who participated and shared the content! \n\n\n\n\n\n[Link to Webside](https://www.takeyourselfondates.com)\n\n[Link to Track](https://www.youtube.com/watch?v=mDr1qY-4SaY) \n\n[Link to Instagram](https://www.instagram.com/takeyourselfondates/)\n\n\nMy dear, it is no secret, that a lot of people are in the grid of a lonelinesspancemic. But here comes a solution: take yourself on dates.To take yourself on dates. To take yourself on dates is the best wayto gain independence and self-sufficiency. You and you are goingout with eachother. To take yourself on dates is not like hangingout with friends, it has a coonotation of a romance between youand yourself or a hopeful romance starting. A solodate involvesyou treating yourself in the same way you would someone youwould care about. You pay for the two beers yourself, knowing thatyou will pay next time. Whatever may come: You always have yourback. And at the end of the day you think of yourself carefully. It's all about getting in touch with yourself. So do yourself a favor: Takea deep breathe, give yourself a hug, embrace your flaws. Thankyou for everything you give yourself. When you fall in love withyourself, you are getting a deep appreciation of your own worthsand capabilities. Falling in love with yourself also means that youare geniounly like yourself. To love oneself is the beginning of alife-long romance. Welcome to the world of self-marriage and sologamywhich has attracted increasing attention over the last fewmonths. When you love yourself, you are in your passion. All yourcells vibrate with love. It is not supposed to feel like anything. Youare the person feeling it so what you feel is what you feel. And ifyou don`t feel anything: That is fine too. To be really together meansnot to be able to seperate from each other. Forever yours, Yourself.",[454,455,299,348],"kleio:tag_content_15321","kleio:tag_content_14546",13,"kleio:record_110949",{"@id":457,"@score":198,"@type":210,"kleio:cover_asset":459,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":460,"kleio:user_record_id":461,"kleioapi:in_set":462,"kleioapi:in_space":463,"kleioapi:is_actor":6,"kleioapi:main_date__date":464,"kleioapi:main_date__date__lower":465,"kleioapi:main_date__date__upper":466,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":467,"rdfs:label__de":467,"schema:description":468,"schema:description__de":468,"schema:title":467,"schema:title__de":467,"threems:relatesTo":210,"threems:searchVia_index":469},"kleio:asset_15960e26-4354-40f6-b4f1-2ec2dcf7af23",[237],28,[37],[25],"2019","2019-01-01","2019-12-31","You bring your shovel, we`ve got the sand","Erb & Band in der Shedhalle Zürich: \nDie Zürcher Künstlerin wurde eingeladen, beim Projekt *You bring your shovel, we’ve got the sand*mitzuwirken. Klodin Erb lud dazu Studierende ein, gemeinsam mit ihr, den Raum zu bespielen. Der Turm von Babel und die damit verbundenen Themen wie die Zusammenarbeit, körperliches Arbeiten an und für sich sowie die Kommunikation wurden zum Kern der Auseinandersetzung. In hautengen Bodies versuchten wir aus 13 Kubikmeter Sand einen Turm zu Babel zu bauen. Parallel fanden einzelne Performances / Beiträge statt. \n\nZusammenarbeit mit Felix Stöckle; gemeinsam performten wir ADVICE FOR FREE mit zwei Megafons.",14,"kleio:record_256158",{"@id":470,"@score":198,"@type":210,"kleio:category_tags":472,"kleio:cover_asset":473,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":474,"kleio:user_record_id":475,"kleioapi:in_set":476,"kleioapi:in_space":477,"kleioapi:is_actor":6,"kleioapi:main_date__date":448,"kleioapi:main_date__date__lower":449,"kleioapi:main_date__date__upper":450,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":478,"rdfs:label__de":478,"schema:description":479,"schema:description__de":479,"schema:keywords":480,"schema:title":478,"schema:title__de":478,"threems:relatesTo":210,"threems:searchVia_index":482},[251],"kleio:asset_70444082-0fc5-4fb7-920b-9607e0017ff4",[237],63,[37],[25],"COMMAND SHIFT 3","Art instead of advertising. The work is a digital readymade,\nnamed after the shortcut taken to capture a screenshot. Command\nShift 3 questions the relationship between care and\nself-care. Caring and looking after others. What responsibility\ndo we take for ourselves in the process? And: Do we absolve\nourselves of responsibility if we take care of ourselves\ninstead of others?\n\nTake Away Installation\nBlueback Poster, F4\nAn Ort und Stelle, make art happening\nTaubenhausstrasse 12, Luzern\nwith Angela Erni, Anouk Sebald, Aramis Navarro, BiglerWeibel,\nCharles Moser, Diel+Affentranger, Helen Eggenschwiler, Jo lle\nValterio, Jonas Studer, Karyna Herrera, Kathrin R lli, Klarissa\nFlückiger, Kollektiv Billeter-Mischler, Luca Harlacher, Marl ne\nPichler, Miranda Fierz, Pascale Ettlin, Romano Zaugg, Timo Vogel,\nVincio Barreno,",[455,295,481],"kleio:tag_content_15320",15,"kleio:record_235893",{"@id":483,"@score":198,"@type":210,"kleio:category_tags":485,"kleio:cover_asset":486,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":487,"kleio:user_record_id":488,"kleioapi:in_set":489,"kleioapi:in_space":490,"kleioapi:is_actor":6,"kleioapi:main_date__date":491,"kleioapi:main_date__date__lower":449,"kleioapi:main_date__date__upper":492,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":493,"rdfs:label__de":493,"schema:description":494,"schema:description__de":494,"schema:keywords":495,"schema:title":493,"schema:title__de":493,"threems:relatesTo":210,"threems:searchVia_index":498},[232],"kleio:asset_b0e0e096-7ae0-4909-b7e0-fefb2d2f790f",[237],60,[37],[25],"2021-01","2021-01-31","the winner takes it all","While there is hardly anything else to do but wait \nand let the situation ease, the question arises: \nCan a catchy tune cheer up the world for a day?\nAs Covid19, it will stay until the situation resolves itself again.\n\nThe spectators are invited to help themselves \nwith the tattoos.",[295,326,496,455,497],"kleio:tag_content_9675","kleio:tag_content_participatory",16,"kleio:record_110702",{"@id":499,"@score":198,"@type":210,"dc:creator":501,"kleio:category_tags":502,"kleio:cover_asset":503,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":504,"kleio:user_record_id":197,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":505,"kleioapi:in_space":506,"kleioapi:is_actor":6,"kleioapi:main_date__date":507,"kleioapi:main_date__date__lower":508,"kleioapi:main_date__date__upper":509,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":510,"rdfs:label__de":510,"schema:description":511,"schema:description__de":511,"schema:keywords":512,"schema:title":510,"schema:title__de":510,"threems:relatesTo":210,"threems:searchVia_index":514},[201],[252],"kleio:asset_60aca88f-b007-48e8-ba64-b95cf00bb83d",[237],[37],[25],"2019-06","2019-06-01","2019-06-30","Das Leben Gebrauchsanweisung","*Wichtige Informationen: \nLesen Sie diese Gebrauchsanweisung sorgfältig, denn sie enthält wichtige Informationen. Dieses Produkt haben Sie entweder persönlich erhalten oder über eine Institution bezogen, oder Sie halten es zufällig in der Hand. Wenden Sie die vorliegende Gebrauchsanweisung gemäss ihren individuelle Bedürfnissen an. Bewahren Sie die Gebrauchsanweisung auf, Sie wollen sie vielleicht später nochmals lesen*. \n\nDie viersprachige Publikation gleicht einem Beipackzettel. 45 fragmentarische Anweisungen sind George Perecs Roman „Das Leben Gebrauchsanweisung“ entnommen und finden neu zusammen. Ähnlich wie der Roman behauptet die Publikation, das Leben anleiten zu können ohne andere Angaben zu machen.",[513,295],"kleio:tag_content_9961",17,"kleio:record_110669",{"@id":515,"@score":198,"@type":210,"dc:creator":517,"kleio:category_tags":518,"kleio:cover_asset":519,"kleio:default":6,"kleio:record_owner":59,"kleio:status_tags":520,"kleio:type_tags":522,"kleio:user_record_id":198,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":523,"kleioapi:in_space":524,"kleioapi:is_actor":6,"kleioapi:main_date__date":525,"kleioapi:main_date__date__lower":526,"kleioapi:main_date__date__upper":527,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":528,"rdfs:label__de":528,"schema:description":529,"schema:description__de":529,"schema:keywords":530,"schema:title":528,"schema:title__de":528,"threems:relatesTo":210,"threems:searchVia_index":531},[201],[252],"kleio:asset_decbb51b-0ddd-407a-94f2-0a81895f7864",[521],"kleio:tag_110669_status",[237],[37],[25],"2020-01","2020-01-01","2020-01-31","and then what?","Die Besucher*innen sind dazu eingeladen, einzelne Textblätter mitzunehmen oder weiterzugeben. Blatt für Blatt entschwindet, Textteile verbinden sich zu Erzählungen. Die Arbeit ist zu jedem Zeitpunkt vollständig. \n\n[link text](http://219af271-4102-4b85-a6c9-a193405d4688.filesusr.com/ugd/119052_2dab969f9be844998982e1a1fcb9325a.pdf)",[497,295],18,"kleio:record_110875",{"@id":532,"@score":198,"@type":210,"dc:creator":534,"kleio:category_tags":535,"kleio:cover_asset":536,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":537,"kleio:user_record_id":538,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":539,"kleioapi:in_space":540,"kleioapi:is_actor":6,"kleioapi:main_date__date":464,"kleioapi:main_date__date__lower":465,"kleioapi:main_date__date__upper":466,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":541,"rdfs:label__de":541,"schema:description":542,"schema:description__de":542,"schema:keywords":543,"schema:title":541,"schema:title__de":541,"threems:relatesTo":210,"threems:searchVia_index":544},[201],[252],"kleio:asset_7e8e757a-a6d9-449f-9bf7-129a69c247e1",[237],25,[37],[25],"ADVICE FOR FREE","*Friends / Family \nHappiness / Self-care \nHealth / Beauty \nLove / Sex \nSuccess / Power*\n\nIn den fünf Publikationen werden über 500 Ratschläge angeboten - gratis als kleine Take-Home-Messages können sie abgerissen und mitgenommen werden. \n\nAuf den Screenings blinken die Ratschläge in einem schnellen Takt. Moralische Grundsätze wie „don`t lie“ werden gleichwertig zu expliziten Handlungsanweisungen wie „call your mother and tell her that you love her“ zur Schau gestellt.",[513,295,497],19,"kleio:record_110784",{"@id":545,"@score":198,"@type":210,"dc:creator":547,"kleio:category_tags":548,"kleio:cover_asset":549,"kleio:default":6,"kleio:record_owner":59,"kleio:type_tags":550,"kleio:user_record_id":551,"kleioapi:creator__labels":65,"kleioapi:creator__labels__de":65,"kleioapi:in_set":552,"kleioapi:in_space":553,"kleioapi:is_actor":6,"kleioapi:main_date__date":554,"kleioapi:main_date__date__lower":555,"kleioapi:main_date__date__upper":556,"kleioapi:owner_default_space__label":65,"kleioapi:owner_default_space__label__de":65,"kleioapi:owner_default_space__label__en":65,"kleioapi:owner_default_space__label__fr":65,"kleioapi:public":6,"rdfs:label":557,"rdfs:label__de":557,"schema:description":558,"schema:description__de":558,"schema:keywords":559,"schema:title":557,"schema:title__de":557,"threems:relatesTo":210,"threems:searchVia_index":560},[201],[232],"kleio:asset_5694d5aa-b07b-4a27-b955-1212f49bcdd1",[237],21,[37],[25],"2018-06","2018-06-01","2018-06-30","da gewesen sein","Die 35 Zementsteine tragen fragmentarische Aufschriften. Die Inhalte beruhen auf einem heimlich aufgenommenen Gespräch, das im April 2018 an der Zürcher Langstrasse beobachtet / mitgehört wurde. 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